Featured Post

Previous location of Simon's being demolished

More than 20 years ago, at the beginning of my coffee career, I worked at Simon’s Coffee Shop at 1736 Mass ave in Cambridge. I got my start...

Tuesday, September 08, 2026

Previous location of Simon's being demolished

More than 20 years ago, at the beginning of my coffee career, I worked at Simon’s Coffee Shop at 1736 Mass ave in Cambridge.

I got my start there in coffee by taking that part-time job. I began blogging there. I found friends and customers there. It was what proved to me that I could eventually build my own space with barismo.

Just not in the way you might think.

You may think this is a sad post about a closing or a nod to a store owner, but stay with me to the end.

When I began working for Simon, he told me he'd had a not-so-successful café on the North Shore before this and worked at Kmart before that. He was hesitant, and really quite risk-averse. To me, he was timid but pleasant.

I was not, at that time, timid or pleasant.

I was headstrong and latched onto something I saw in the potential of such a space. This led me to constantly push him to change, to update, to be more than the shop he'd bought.

Simon hadn't built that space from scratch.

When he took it over, the café had previously been owned by the indie video rental store downstairs and was essentially modeled after 1369 in Central. The owner, George, must have liked the model being next door in Central and wanted his own version in Porter.

The Hollywood Espresso Cafe came complete with colorful orange tones and movie-themed posters clear-coated onto different cabinets. Some were probably still there on the walls if you looked up high carefully. The café served really dark-roast Rao coffee with no roast dates and had this massive chalkboard menu common to cafés of its time, but with a handful of odd themed drinks like the Casa Blanca, a white chocolate au lait I absolutely detested.

When I arrived in Boston in the early 2000s, I worked there part time while also working part time at a bubble tea shop on JFK Street.

Simon had three managers in that one small shop. That led to constant crossed wires and over-ordering. There was clutter everywhere. Extra paper cups were stored under a trap door to the basement, which required moving customers and tables while making sure nobody came out of the bathroom and fell straight down the open stairs.

That made rushes almost comical at times.

We each had chalk anime-style caricatures on the cabinets behind the counter. Angry Andy had his CD placed on the counter because he hated being asked what music was playing. There were relics of the video-store ownership, but they gave the place an oddly charming feel.

So many customers had special drinks that the register had what felt like an entire screen of drinks named after individual people.

And those customers, more than anything, were what made Simon's a unique place.

I remember them well. Bringing a haiku to the counter every day, a particular drink order, a shared interest. At the time, I thought it was special, but now I realize that's what a third space truly is.

I came into that shop, in my own way, as an antagonist to Simon's. In 2006, I wrote about those early days in "Going full circle".

I was stubborn and difficult, naive and idealistic. I cleaned and organized. I chuffed at the expansive menu, suggested changes and lobbied for new gear. I irritated two of the three managers enough that they eventually left.

Colleen, though, stayed on as a manager for a while, and she allowed me to keep plugging along with near-constant incremental changes. I argued for better coffee, better gear, better training and events. I even learned latte art from a picture in a magazine and brought it into the café to teach others.

I represented the shop in competitions and pushed for a place at the table during the third-wave trend as we rotated through a who's who of coffee brands.

One of those who noticed this was Adam, a young regular who came in five days a week.

Adam had this wonderfully dry way of supporting me and was friends with Colleen. When I started doing latte art, he pointed out that he'd been to Seattle and had already seen people doing it there. But it wasn't dismissive, even though he had a way of saying pithy things like that.

Adam was one of the earliest supportive customers who said out loud that I was leaving a fingerprint on the place.

There were a lot of customers like that. They weren't always polite, but they were direct, supportive and kind.

That's why one of the first espresso blends I created when I began my roastery was Linnaean St. Espresso.

That neighborhood watched me figure things out in real time. We tested things together and tried things out. They encouraged me to change the café program, came to my weird events, drank whatever new guest roaster I was excited about and gave me a reason to keep pushing.

Not long after I was on the path to becoming manager, though, Adam died suddenly.

His coworkers at Paper Source arranged a wake at Simon's. Maybe Simon had been told, but I hadn't.

So there I was, working through a rush with Colleen, making and serving drinks, when Adam's coworkers started flowing into the café to mourn him.

It was surreal. I didn't handle finding out in real time very well.

I've never forgotten that, even now, 20 years on.

Since then, I've gone on to host wakes and wedding proposals in my own café, and I understand much better now the importance these spaces can have for a community.

Back then, though, I was still trying to figure out how to make Simon's into the café I thought it could be.

At some point I became a manager, more or less in name only. Colleen left to become a nurse, and I was working a lot due to the level of press and attention the space was getting.

To remedy my constant discussions about the pay side of things, I was offered a percentage of revenue growth over the shop's historical numbers. Simon said: grow the business and get a percentage revenue share in what I was creating.

I took it because it was the only game in town.

And because I believed. I really believed.

The problem was, the business grew a lot.

The surprise was, in the end, the pay didn't.

When those numbers showed up, it was abruptly communicated to me that there wasn't enough money to pay me that percentage because how much I'd grown the business made it unsustainable.

That pretty much sucked.

Future me would've raised hell. Back then I didn't have the context to know better.

I didn't feel good, but I kept going for a while anyway. A few more incidents came up involving clashes with the roaster being used at the café, and eventually I'd had my fill.

But by then something much more important had happened.

I'd built a network of friends, customers and eventually some investors. Many of the people who had watched me learn and cheered on what I was trying to do at Simon's would become customers of barismo for years afterward.

So I left and built barismo. A small roaster in a tiny space in Arlington, just roasting bags and wholesale.

That was what I wrote then and this is what the more complete history looks like to me now, nearly two decades further down the road after some success, some burnout and real distance.

And leaving wasn't actually the end of my relationship with Simon's.

Later, I circled back and tried to get Simon's as a wholesale account. Even getting a small piece of the coffee program as a guest roaster took a huge push. A few years in, barismo eventually supplied most of the program.

I supported that coffee program, promoted the shop and its place in the community, organized events there and provided equipment. I took Simon with me to visit coffee farms in Guatemala. At one point I even offered to partner with Simon and merge our businesses.

He had cold feet, I guess. At the time, with him owning one shop and me having two cafés plus wholesale, the slice wasn't big enough for him.

So we stayed separate and kept doing business together.

And when Simon nearly died, we were there too.

He had a severe reaction to penicillin, developed sepsis and spent weeks at Spaulding recovering. While he was gone, we kept the coffee coming. We worked with his staff, coordinated what needed coordinating and helped keep things moving.

Whatever my history with Simon was, in my mind the shop was still full of people I'd known for years, and the place meant something to me.

Eventually Simon opened another location off Harvard Square. I supported that location too and tried to promote it, but it struggled and the vibe never really developed. The manager there later partnered with Simon to open 9 Bar in Davis Square, where they chose to use another startup roaster.

That was their business and their choice.

The problem for me came afterward.

When the Davis Square shop over-ordered coffee, more and more of that other roaster's coffee made its way back to Simon's to be used up. That meant Simon's was increasingly serving another roaster's coffee while using equipment I'd loaned to support our wholesale relationship.

I raised it several times, but it continued. Eventually barismo's volume at Simon's had dropped enough that the relationship no longer made sense to me.

So I pulled the equipment and barismo stopped supplying Simon's.

That was a long time ago.

Which brings me to Simon's closing now.

I'm not nostalgic about Simon Yu. And I'm not sad in the way you're supposed to be when an old café closes.

Because looking back, Simon wasn't really what made Simon's important to me.

The customers and the coworkers did.

They were the people who let me experiment in front of them. They drank the coffee. They showed up for events. They teased me when I got ahead of myself and encouraged me when I was onto something. They gave me an audience when I started writing. They became friends and supporters, investors and an audience.

A snapshot of humanity I was in need of at the time to help me believe in myself.

Some of them followed me when I left and became customers of barismo for years. Some have been part of my life in one way or another for more than two decades now.

I spent a lot of those early years thinking I was fighting to turn Simon's into the coffee shop I thought it could be.

I guess I wasn't.

I was actually figuring out who I was and learning to find my own version of authentic.

I still am, really. After several years of burnout, I'm slowly remembering that passion and refinding those skills, realizing that connection and that authenticity.

And those customers gave me the first space to do it.

Spaces can hold our hearts.

Maybe that's why I can feel something about Simon's closing now without feeling nostalgic about Simon.

The place held Adam.

It held all those regulars and their drinks programmed into the register. It held my weird events and early experiments. It held friendships, arguments, bad ideas and good ones. It held the person I was becoming before I knew what barismo would be, before I had a family, and before I found a home.

And before any of us, that same space held an indie video store below it that held a place in people's hearts.

When Mike and Virginia moved on and closed Irish Imports, or Linda closed Joie de Vivre, it closed an era in the neighborhood as well. I still think of them as regular customers and of the spaces that captured moments in time for me.

Buying a cape for my daughter that she wore daily until I passed it on to one of my regulars. Finding a vintage toy I included in a coffee swap with James Hoffmann.

The spaces were so deeply memorable in a neighborhood filled with them.

Not because of who owned them, but because of who we were when we went there, the people we met, and what those spaces allowed us to discover.

A lot of shop owners talk about giving back to the community or how coffee saved their lives, among many overly trodden marketing narratives.

For me, it's the spaces themselves that can be breathed to life by the cast of characters in them, not just the owner or a dedicated store manager building a program.

That's what I'll remember about Simon's the space.

The colors and design didn't change. The space barely changed over 20 years from the first day it changed owners. New gear, changing faces behind the bar, customers aging and families expanding.

People fell in love there. People mourned there. People grew up there. People hung out. People moved on.

These spaces hold all of it.

You can't bring that back because once it's gone, it will never be the same.

That's the bitter truth: you can open another coffee shop in the same room.

But more often than not, it will never be the same place.

Friday, April 10, 2026

Pour'd fonts and way back when we worked on Luminaire, Toast, and others


Most coffee people may not have heard of the Luminaire hot water font unless you were around back in the day. It was a project that some graduates of Olin were working on back in 2010. Something really akin to point and dispense precision hot water with a controlled flow rate for per cup. I got involved as hype man and demoed it a bunch of times with the idea of running it my cafés to do pour overs. It was pretty crazy and at some point, we were at the coffee trade show and I was pulling in anybody with cred who would listen to see it. I was shameless in getting anyone I could into a side room for a secret demo. Many of these people would end up being a who's who in the industry in the years to come but my goal was to share my excitement for it's potential. I think the concept was way ahead of its time but those guys still have a site on Luminaire coffee if you are looking to design something in coffee. The font didn't materialize for my shop long term but it didn't stop me from believing in them.

Push forward a few years and I got a second go around with being able to work with another prototype. From 2017 into 2018, we met with Paul Stack and his team at Marco in Ireland about trying to apply my cold brew patent to a small scale brewer that could enter the market. This was at the peak of cold brew coolness (sorry). I got to travel to Ireland and meet some awesome people then participate in a really fun process. I toured the cafés in Dublin and did a lot of tourist walking of the city. In the end, it wasn't going to happen on the small brewer. My patent was too craft in a bigger marketplace focused on a very broad user base of customers.

In that exploration process, my focus shifted to really getting into what we could do with the coffee since our patent method provided a range of strengths. I wanted to have the flexibility to dispense hot water and cold coffee in a tight space and they were working on something that met that check list. I really couldn't stand the big hot water towers taking up so much space on my counters and was struggling with how to fit my draft concept on bar without cutting up the counters. In the end, we got something outside our original intent, we got to be the beta testers and give feedback for the first version of what would eventually become the Marco Pour'd font.

Toasttab.com was another one but that relationship has had more length to it. The founders, Steve and Aman, of that point of sale application showed up via an introduction by a family member. We met with Aman and the team repeatedly and were open and direct, giving feedback on what we could want if we were to have a tablet driven point of sale. At the time we had a weekend table service brunch so we wanted tablets that could function as a register but then could be taken to a table and used to tale orders. We asked for a ticket screen that wasn't paper tickets as well so we didn't have a massive pile of paper. The details aren't important, what they did was ask us what we wanted, our dream setup and we gave them that detailed feedback. This was in a time when registers were linked to a server computer in your basement, not the standards that exist today. Toasttab's team showed up with a working version and we adopted it becoming their first customer. Flash forward, they grew and went public on the NY stock exchange. They invited us down for the event when they rang the bell and we got to stay in New York for the night and have that experience.



Recently the team at toast came in to shoot a small commercial for socials in our space. It was a lot of fun hanging out with Steve and Aman. I even got into character a little bit to be in their commercial.




Kind of wild when you think about it that I've been lucky enough to do more than once what few people ever get to do in this industry. Demoing a prototype and advocating for its design being put into production or tweaks to existing gear to modify it for another use is a really interesting process. With Luminaire, I got a group of friends for years after, and from Marco and Toasttab I got gear we use in the shops daily.


Sunday, April 05, 2026

Easter Updates

Some quick updates, you can watch the WBUR CitySpace panel here.

I ran the Peru on the 364 bar as an SO espresso (18g dose 200.5f 1.75oz yield by volume). Really positive feedback and maybe it's psychological but we started to move bags of it quite briskly. Switched over to the Yirgacheffe today for a bit, similar specs but a little longer volume as it's thinner and brighter.

Changed the burrs on all the little pour over grinders at both shops, the change is always immediate. I also tweaked the water remineralization cartridges at 364. Cambridge water is pretty hard on coffee  machines so we have to use RO to clean it up then put something back in. I also put that black two group linea back on the bar after replacing a bad key pad, and a group head solenoid as well as a full descaling.

Had a scheduled group come by Saturday from a local school that let us host a full cupping and a roast demo. Basically 9 people cupping 5 sets of our coffees and then asking questions while we roast. We are going to do more of this going forward as an event offer for people to let us cater a coffee experience.

Tuesday, March 17, 2026

Clean S.O. Espresso

One of the things about keeping a blog and being in coffee for a long time is that trends can come back. If you wait long enough, the old is new again.

This crisp Sunday after a nice busy Saturday at Broadway, a customer named pulled me aside to tell me the espresso was really good. He introduced himself as Jay, asked what was in it and pointed out that he lives over in Porter Square and that “everywhere the shots are burnt.”

His words, not mine.

We talked for a bit. It was actually a little hard to keep up. Jay was excited and talking quickly, the clockwork espresso was doing its thing, and he was ahead of me on several points. It took me a minute to catch up.

But somewhere in the middle of the conversation I realized something:
There’s still a lot out there that can be done with espresso and can still be exciting.

Lately we’ve been getting more customers coming in and talking about shots. Ordering straight espresso. Asking questions. Paying attention.

For me, it's brought back two moments that really shaped how I think about espresso. The first was back in 2006 I took a trip to New York to visit my friend Chris Owens, who was working at 9th Street Espresso at the time. I was coming from Boston, where most espresso was dark roasted Brazilian coffee or something close to a black and tan (French roast cut half and half with lighter roast).

The espresso scene was dark and the shots were long.

Chris had recently been to Scandinavia for a barista event (I think it was the Nordic Barista Cup) and he had done a café crawl while he was there. When he came back he had smuggled a bag of coffee with him.
It was a blend of extremely expensive coffees:
Guatemala Huehuetenango El Injerto, a Rwanda Golden Cup, and another coffee in the mix. Back then coffees like that would almost always have been reserved for filter brewing. The conventional wisdom from a lot of respected people in the industry was that coffees like that simply wouldn’t work as espresso.
They would have recommended brewing them on a Technivorm not an espresso.

But Chris pulled the shots.
They had structure.
They were layered.
They were clean.
They were beautiful.
I had pulled good shots before, on Synessos, on home setups, in cafés, but I had never tasted anything that intentional. That well paired.
It stuck with me enough that I later wrote about that experience here.

The second key moment for me was taking that inspiration forward few years to 2008. Once I had actually been trained in roasting and wasn’t just trying to make the best out of other people’s coffees or blends, I started developing my own philosophy around espresso and chose to test apply it then and there in one gloriously crazy event.

I set up a espresso tasting event at Simon’s Coffee Shop. I had been the manager there and helped build the coffee program that put that café on the rails it still runs on today. The café had this monster 4 group linea that used pstats to determine the Temps. I had to dial in the left 2 groups to one temp and the right two to another, then have four espresso dialed in for the event.
Heres my memory of the four different espressos served:
• Two Ethiopian coffees paired together
• A single-origin estate Kenya
• Panama Esmeralda Geisha
• And a classic Brazil–Yirgacheffe blend
The shots ranged from $3 up to $9, which at the time was beyond wild. We had several pounds of each coffee in the hoppers. 

We went through all of it.

People would get in line, take a shot, go wow, step aside… then get right back in line and order another from the lineup. It was amazing.

Don’t ever let anyone tell you people don’t want to try interesting things. People want experiences. That event even got covered by some local press, either The Dig or The Boston Phoenix. Unfortunately there’s almost no record of it now, but I did write about it as a feeding frenzy at the bar.
Over the years I’ve done guest espressos, single-origin espressos on bar, espresso events, lots of experiments and a lot of fun in my owm shops. But scenes move in cycles. Things get popular, then they quiet down, then they come back in new ways.

Talking with Jay today, he was pushing me that people want this and that “If you build it, they will come.”
Field of Dreams quote aside, he's right. He was making the case that there’s still an audience for this. That people are curious. That people want to taste these things and care again.

Maybe he’s right. So I’m going to take that seriously and follow through. I’m going to start slotting some single-origin espressos on the bar at Broadway and see what happens. I already dialed in the Peru Cajamaru as a shot at 364 Broadway, Cambridge. It will be on the menu shortly but you can ask for it if you drop by.

Right now, I have the grinders and kit setup but I pulled the Linea PB off bar to service it. In the meantime I got a GS3 as a backup so it will be a bit slow during rushes but gotta do a full descale and clean on the Linea PB to get it peak.



Because the Boston scene has been in a lull for a little while and maybe it's time to have fun again. Rekindle my love of espresso and just go for it.

Give me a couple weeks to get everything set up. Stop by 364 Broadway Cambridge and see what you think the difference is between a single-origin espresso and a two bean blend blend.



Saturday, March 14, 2026

Kettle gicleur and Hario Japan

At WBUR'S CitySpace event, one intrepid coffee enthusiast brought attention to my foray into kettle gicleurs. We called them Kettle flow restrictors but they were essentially snap in Teflon pieces to adapt the hot water flow out of the Hario beehive or buono kettles. It was high temp Teflon precision machined and designed to narrow the flow rate so you just tip the kettle to a 45 degree angle and get a perfect slow flow without all the balancing of the kettles. It took away the focusing so hard aspect and allowed you to get it just right. This made a lot of sense for v60 because there is no real restriction beyond grind/dose and flow rate of water, pour too fast and too much water will run through.

Mind you, this was a time when dark roasts were still everywhere, roast dates were rare, and labeling coffee like a French wine label was considered novel. Many of the leaders we now think of as legends were advocating batch brew and were quite skeptical of per-cup brewing. The push was toward buying a high-end drip machine, not standing there with a kettle and doing it manually like we did. It was a wild moment where experimenting with pourover sometimes felt like we were swimming upstream.

That kettle flow restrictor really was a thing for a while and we sold a ton of them until it just faded for us. More people started copying us and selling them so we just stopped. It was a heck of a throw back though for one of the dozens of coffee attendees to bring up something from a specific time frame like that. Check out our shelves from that era, selling siphon!

Back then, we were part of a wave in 2008 to that brought Japanese coffee gear from Japan like siphon, kettles, and v60 by hario into the thoughts and hearts of a lot of coffee people who were pontificating about our American coffee scene and what to do next in coffee. While we definitely were the voice evangelizing it in the early years, we inadvertently got involved in bringing a bunch of gear in through varying channels as we advocated for it and for a while we were trying to establish a gear business based on the demand we were seeing.

I even made a trip to Japan and visited Hario headquarters but could not convince them to sell to us. I am pretty sure I wrote in barista magazine about the trip and do still have the photos on my Flickr which I've included below in this post. Check out the glass violin from the Hario headquarters museum!

I think in the end though the demand and attention sparked Hario into opening hario usa but it was the first wave of gear into the states before so many start ups and others began making competing gear. Now there is a huge selection of gear options that solve the problems we identified and an explosion of quality kits to noodle around with. Gone are the days of gear smuggling in suitcases from Tokyo mega coffee stores.

Shout out to that attendee for bringing me back to that headpsace for a bit.

Tuesday, March 10, 2026

WBUR CitySpace event

Last night we set up at WBUR'S CitySpace for a pop up. The format was interesting in that I got an hour to serve coffee while people arrived for the event. Honestly not knowing the scale of the event, I chose a brew method that wasn't built for speed or capacity, the Siphon.

It's a throw back for me because it was one of my favorite methods back in my early coffee days. We'd get together and brew on a hario TCA 2 cup and load it up with coffee to evaluate roast issues and character. So much stronger than a cupping that you could really see the issues in a coffee.

Back then we (barismo bloggers) had a reputation of being known for this method to the point that I got invited out to the west coast to present a bar doing just siphon. It was my first major event I traveled out of Boston for and would turn out to be a who's who of the next decade of specialty coffee. This being nearly 20 years ago now, it was back when the coffee community was just starting to do throw downs and barista jams.

So maybe it was a reach to be trying to set that up in a situation where I didn't have an idea of how many people would attend or be interested in tasting coffee at night but I gave it a shot on the idea of bringing it back to basics.

So siphon brew on one side and to give contrast, I put the same coffee (Colombia El Plan) as our cold brew on the other. So attendees went from the basic clean coldbrew to the heavy dosed siphon for contrast. The idea being the coldbrew we do is clean and more like regular coffee where the siphon will have all that structure and layers of flavor. It worked really well and we got a huge response from it. I haven't really ever gotten so many good high level coffee questions in an event that wasn't pro.

Afterwards, there was a panel and some seriously good conversations. I got to swing a mic around and answer some solid topics. It was great fun but my takeaway was that the coffee scene in Boston is in a position to get a bit of a revival.